There Will Be Words – Undesirables by Kevin Mullins

Typically for There Will Be Words we open submissions, receive plays for about a month, spend another few weeks reading and discussing options. James and I will read the plays that the rest of the readers enjoy and pick our play. It is a great system because we get a new batch of plays every time, and we love plays! However, there have been a lot of very promising plays that have, for whatever reason, fallen through the cracks. So for this past TWBW, we decided to go back into the archives and pull out one of our favorites that wasn’t chosen.

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For this reading, we chose Undesirables by Kevin Mullins. It’s a post-apocalyptic tale of survival taking place in a remote cabin with drones flying overhead and radioactivity infecting the landscape. We cast five capable actors who not only turned out top-notch performances, but also lended valuable commentary for the play’s development. The best part is that they do all of this in one rehearsal.

The reason we only have one rehearsal is because we like to keep the emphasis on the play and playwright. If we have much more than one rehearsal, the emphasis turns from the script to the direction and the acting. In full production of any play, new or established, this is a major step in a good direction. But TWBW is a workshop meant to help the playwright by with a reading in front of an audience. Once a playwright has a clear enough understanding of what they want from their audience, the fun can start (and if you’re not looking for fun from theatre, why the hell are you doing it in the first place?).

Director James Peter Sotis, actors Devon Scalisi, Kevin Paquette, Todd Sandstrom, Jillian Barry, Cassandra Meyer, playwright Kevin Mullins and I met up to read and discuss the play. Some edits were made, and we were ready to put Undesirables in front of an audience. The result was one of the most humbling experiences VTG has ever had.

Upstairs, at Trident Booksellers & Cafe on Newbury Street, about thirty or so smiling faces appeared with three common goals: to eat, to drink, and to see some new theatre. Many were recognized and respected faces in the Boston theatre community, many were new to us. Regardless, their enthusiasm was almost tangible and that, more than anything, is what we value most in our audiences, especially for TWBW. After all, who wants to hear someone’s opinion who isn’t even enthusiastic about it? Sorry. Not interested.

When it comes to workshopping new plays, it’s always a crapshoot. There’s no way to completely immerse yourself into an audience’s position, nor can you know for sure what they’re going to think. One thing can make perfect sense in your head or make you react a certain way while reading it, but the fact of the matter is that plays were meant to be seen and heard. Not read. Luckily, Kevin Mullins has a clear understanding of this, as was evident from the talkback.

Undesirables takes us on a multi-layered adventure that not only tells a tale of present survival, but also opens many doors to past and future conflict all unraveling in a single room of one abandoned house.

One major discussion point during the talkback was whether or not we wanted to know more about what we can’t see happening and, if so, whether or not it was needed. With your passion and enthusiasm (and a few allusions to Samuel Beckett, for which I’m an absolute sucker), we came to the conclusion that we were okay knowing what we know and there was no need to for any additional information. This was a major question we all wanted to ask, and thank you all for providing any and all commentary to help reach that conclusion.

As I’m sure most of you know, we performed this reading amidst rehearsals for another show which opens shortly at The Factory Theatre. For more information on Supergravity and the Eleventh Dimension. Click here to purchase tickets and click here to contribute to the show!

Thank you all for attending There Will Be Words: Undesirables. We hope to see you again at Supergravity and future TWBWs!

– Zach Winston, Literary Manager

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